YOUTUBE: Hobart Graffiti Web206

This week the web publishing activity has been optional, (the dawg loves a challenge!) so I dove (like a high dive!! and not a flying bird thingy...) into my image files,, put on the "runners" and.... Trekked out and about around Hobart (lots of sore paws!!!) to find some more great graffiti heritage to publish in digital form. Enjoy, was so much fun making this.. am thinking of making another... let me know what you think.. comment if you would like to see another vid! Gd.

This video may also be viewed on YouTube in High Definition
Creative Commons License
Permissions beyond the scope of this license may be available at http://www.graffitidawg.blogspot.com.

All images in this clip are owned and supplied by GRAFFITIdawg


Music: Grunge (November 4, 2006)
This audio titled “grunge” is part of the collection: Community Audio
Artist/Composer: John McQuiston
Shared under the Creative Commons license: Attribution-NonCommercial-NoDerivs Retrieved from http://www.archive.org/details/TwoGrungeGuitars

.....................TWITTER


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What happens when: dawg takes to twitter as her nemesis loulounilly!
Hash tags: #graffiti, #socialmedia, #tagging

This week I have been looking into Twitter, how the graffiti community communicate via this form of social media. My first tweet and hash tag for this week’s experiment with social networking has been somewhat successful. Because I consider that graffiti should be defined as social media I used #socialmedia in one of my tweets.  “Is #graffiti #socialmedia? http://graffitidawg.blogspot.com/2011/10/is-graffiti-social-media.html”. The post initiated a response, re-tweet and inclusion in an associated Twitter paper.li web page by Danny Peters http://paper.li/dannypeters_/1310827243 which looks at Social Media 2.0 Trends.

The hash tags #socialmedia #graffiti initiated the incorporation.

VoCKlantreizen Danny Peters
Social Media 2.0 Trends is out! bit.ly/oXQUuM Top stories today via @admmarioartur @loulounilly

My second tweet utilised another one of my blog posts, this time about the consequences of getting caught tagging along with the link to the GRAFFITIdawg blog: http://graffitidawg.blogspot.com/2011/09/graffitidawg-looks-into-results-of.html. I have the use of a platform called Tweetdeck, combined with a service called Deck.ly (instead of 140 letters Tweetdeck/Deck.ly allows for double that amount) which enables me to write longer tweet posts).

There was disappointment on my part that the tweet “Do you think people should be given a jail sentence if they are caught”, using the hash tags"#tagging" #graffiti? http://bit.ly/n2hYbH” did not generate any responses even after personally re-tweeting the post. To be very frank Twitter is unpredictable with who follows what in which trend, and admittedly, graffiti and associated artistry does not appear to ‘trend’ very well.

Graffiti is a tough medium to chat about via social media without getting into a ‘degenerate youth’ conversation with some interesting characters. After some in-depth research across twitter trending hash tags, my favourite subject does not appear to be popular (who knew!).

As a prolific Internet user, and a fan of social networking, I tend to have Twitter/Tweetdeck quietly humming in the background of my computer/iPhone; this allows that inter-connective-ness across the twitterati to multiple personalities who deem it interesting to connect right back.

IS? Graffiti Social Media?


View more presentations from Niels Hendriks Susan Herring and associates have concluded that, '... social networks consist of people connected through various social relationships and exchanges ...' (Herring et al, 2005). dawg is prepared to argue here that GRAFFITI and its derivatives (paste-ups, tagging etc. etc.) is just that - socialisation , but in pictorial form. Artists and taggers express themselves to each another and to an ever widening audience (thanks to the Internet) in a manner that is saying something about them in a language that others can understand
Image 1.
Image 2.
Image 3
So by graffiti(ing) on my own image, what does that say about me? 
Are we all contributing to social spaces by using a variety of
graffiti, to send a message in one form or another to each other like the
Ancient Egyptians did with pictographs?. (dawg does
not condone the use of illegal drugs btw...Image 4.
((which has now been painted over by the Hobart City Council 10-10-2011))
So is graffiti a social message then? AND who are they talking to about what?

Image 4.

GRAFFITIdawg has joined the FatCap community

FatCap is an interestingly GLOBAL group of artists, photographers, commentators that have joined together to share their interest in all forms of GRAFFITI.  Just recently GRAFFITIdawg joined the throng to share the love. I am a novice in their group so the dawg has joined as a photographer (which is what dawg does, happy snapping all the graffiti, paste ups, throw ups, walls.... etc, spray spray spray).

dawg has joined their blogging throng, and asked a pertinent question.. (WHAT ABOUT US HOBART!) ................................well not so bluntly put and with a few more big words thrown in... as the FatCap community is a "closed" blog, you may not be able to see the post....and if you can - IGNORE the photo because realistically online 'nobody knows your a dog', yup.. one of those photos.. if not,, keep reading because...TA DAAAAAAA.... their blog and mine..

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THE FATCAP BLOG POST by Lindsay T

It’s been a while since we posted on the FatCap blog, so we decided to give you an update on the changes that have been going on over on our side. Since we launched the new FatCap, we have been managing both English and French content. With the addition of a few key players in the US we’re going to be better able to bring you content from the French site in English and visa versa. If you didn’t catch them, we’ve published a whole bunch of articles that were both originally written in French, now published in English for you to read.
Actually being in America has made a difference for our site, but do not fret, we keep our focus on covering artists and crews worldwide.  In addition to expanding in the US, we have also reached out to writers from Latin America to start bringing us more than stories on Chilean Miners. Not that those men didn’t give us all an epic tale to recount, but we preferred El Mural Ferroviario that Denegro1 reported on from Santiago.

The FatCap team has also been hard at work forming key partnerships with teams of photographers and artists that are making paramount contributions to the graffiti and street-art scenes. This means more coverage, shared news and exclusive content. For instance, you may have noticed that we ran an article from The Street Spot, the home to photographer’s Becki Fuller and Luna Park.

And so I can tell you a story about how this all came about. Our first encounter with Becki was for an afternoon as she gave us a tour of Williamsburg, Brooklyn. Syd was in New York from Barcelona, and I trained up from Philly to meet this dedicated, quirky and prolific package of a person. On a rainy, but perfectly NY fall afternoon, we walked the streets, past abandoned buildings, art galleries, and workshops. Though the entire FatCap team has been in NY plenty of times, it was exciting to see her pages and pages of photos on Flickr coming alive. We even happened upon Julius from Laid Back. After that choice afternoon, the ladies of The Street Spot have lent us their photos for our article on The Underbelly Project and for Community Serviced, and put us in contact with Sina from Papergirl NYC. If you haven’t checked out these articles, you’re really missing out.

The team is also hard at work to bring more artist interviews to your eyes and ears. We listen to our readers, and those of you that have reached out have told us that these interviews are what you like the most. This fall we’ve given you the juice on M-City, Mark Bode, Mr Puppet, Sea and Roa. We couldn’t have asked for a better lineup, but you’ll want to stay tuned through the winter, because we got it!
Things did not slow down from there because, if you didn’t catch it, we were let in to a world of artist residencies by following AM & DCAP on their own in Paris. Documenting the real experience of American and French artists as they collide, and from a female perspective, brought a whole new twist to what FatCap is trying to bring to you on the daily. This is a community that we’re all a part of if you haven’t noticed, and it seemed to come full circle that AM would sync up with Banga, and eventually Vince when he returned to Paris from Casablanca.
We’re on the move, but always thinking of you dear. Promise to keep you posted more often.

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dawgs words..


Behind the scenes: What an amazing journey you are undertaking within the world of graffiti, through the brightly sprayed spaces of France to the techno coloured iconic imagery of America. The intertextuality/hypertextuality of your post has allowed my Internet graffiti journey to be all that more exciting and allows others and myself to feel included within an online community. 

I am interested to know if you will be relating a few more of your blog posts to the graffiti communities within the boundaries of Oceania and in particular Australia?  I live within a little melting pot island, Tasmania (known as the Apple Isle) but still considered a state of Australia, isolated and unique with our own versions of graffiti, highly prolific with our urge to be known for our own take on the side of art.

I am also interested in photographing the work of others, there are many nooks and crannies where I am that seem to be prolific in paint, and documenting that work is of great interest to me, I blog.. I am a student; I am a blogging student interested in your work. 


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HEY READERS..yeah you.. dawg-blog readers.. if you have any comments.. photos etc.. places for the GRAFFITIdawg to visit to photograph, events and stuff..COMMENT ...email me.. ALWAYS interested, need fodder for blog and I will always give credit where credit is due.. leave a comment and don't forget to tick ✓  the email box